Oliver Pearce (b.1996) is a graduate from Camberwell College of Arts, whose artistic practice is rooted in a passion for the history of art, to develop visual striking imagery of varied themes, exploring human psychology and mythologies in rich layers of oil paint.

"The relationship between the themes I’m working with and the way I work, is, in its way, a theme in its self, and seems at the moment to be the place where my practice sits, a homogenous set of relations between physical and cognitive. In ways the process of making work about the process of making provides a think tank which at times feels vacuous and confusing and yet still charged with connections. The methodological systems I implement over the given period of time any painting takes to make, means as much to me as the symbols, Sigils and motifs that form the structure of the work. I’m interested in how each layer of the painting Is de-registered as a result of a differing formal axis or fulcrum according to the when, within the space/time continuum, it was made. How the new overlays the old, how the consistency of paint is linked to memory and time. How space gets flattened and time gets extended. How the components and the way their painted have an axial symmetry with the whole picture. How the things within my paintings and the paintings themselves never really mean one thing. Could my paintings be forever in flux, like the tides? How the formal and biological harmony of a painting can reflect the same harmony found in the network of the real world."

Billy Leach is a composer and musician from London. Billy's event series and group of improvising musicians Impromptu in 2018 inspired Late Works to come into fruition, with the musicians continuing to perform at subsequent Late Works events.

A recent graduate of Trinity Laban conservatoire achieving a first class Hons’ in Jazz performance, pianist Jesse Doniach joins the wave of young talent emerging from the London jazz scene. Originally hailing from East London himself, he has already built up a vast array of performing experience playing at venues such as Electric Brixton and La Villette in Paris, as well as gigging around England with the National Youth Jazz Orchestra. His style drawing on a wide range of influences, he credits the likes of Thelonious Monk and past teachers Ricardo Del Fra and Aaron Parks (whom he studied with during a year spent at Conservatoire de Paris in 2019) as having major impacts on shaping his sound.

Drummer and guitarist based in London.

Trombonist based in London.

Alex is a saxophonist based in London.

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Felix Bayley-Higgins is a recent graduate from the Royal College of Art, currently based in London. Instead of being categorised by a discipline, his work is best defined by a specific sensibility; one which he uses to approach a variety of different projects.

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Joe Preston is filmmaker and artist interested in the boundaries between fiction and documentary. He has written and directed both fiction and non-fiction. He works between the two in the hope of cross-pollinating the different disciplines.

Joe’s films are preoccupied with how we see our own history and how we are shaped by it, be that a political history or a personal one. He looks at telling stories through individuals, rather than events. His work ‘The Victory Arch’ tells the story of a British engineer who built Saddam Hussein’s most famous statue a few miles outside of London. And his previous fiction-short, ‘At the Table, On the Menu’, is centred around the conflicted and personal motivations people have for their involvement in political protests.

Enzo Samuel is a musician and producer.

Joseph Bradley Hill is an artist, designer & producer engaging with organisation, permutation and improvisation.

He is the founder and host of Late Works, editor of plates (x5) & releases music under 'one-four' & 'Nothing Doing'.